Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]

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Half an hour later, Marshall finally opens her door, and that bleariness has converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which özgü the name “Dave” on the chest and rips in the armpits.

I soon discover that linear conversation is not an option with Marshall. She speaks in elliptical thoughts, taking most of my questions birli mood boards rather than things to be answered. Ask which songs on her new covers album she most relates to, and you’ll get a rumination on the God particle.

. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with bey Cat Power. “Hayat you come back in 15 minutes? I’m really sorry sweetie.”

Over the course of 11 albums, she has written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

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Η τεχνική αποθήκευση ή πρόσβαση είναι απαραίτητη για τον νόμιμο σκοπό της αποθήκευσης προτιμήσεων που δεν ζητούνται από τον συνδρομητή ή τον χρήστη.

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

While in Atlanta, Marshall played her first live shows as support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".

Η μη συγκατάθεση ή η ανάκληση της συγκατάθεσης, μπορεί να επηρεάσει αρνητικά ορισμένες λειτουργίες και δυνατότητες.

At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.

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